![]() ![]() Alexander Godunov has a ball as wicked black arts practitioner Scarabis, Martin Kemp does well as Baron Frankenstein, and Michael Des Barres is a slimy treat as effeminate baddie George. Cranking up the blithely dippy black humor to the gut-busting ninth degree, laying on a handy helping of graphic gore, and paying merry homage to a slew of classic horror items that include "Alien," "The Haunting," "Frankenstein," "Nosferatu," "Godzilla," and "Dawn of the Dead," Hickox takes the viewer on a giddy fantasy adventure that's admittedly cheesy as all hell, but still quite funny and entertaining thanks to its boundless energy and all-out unapologetic stupidity. Writer/director Anthony Hickox cheerfully throws logic, basic sense, and seriousness completely to the wind in this gloriously asinine sequel which finds lone survivors Mark (affable Zach Gilligan) and Sarah (winningly played with considerable spunky charm by the gorgeous Monika Schnarre) traveling through a time portal and getting thrust into a crazy alternate universe where the forces of good and evil battle it out for all eternity. Title (Brazil): "Waxwork II - Perdidos no Tempo" ("Waxwork II: Lost in Time") Note: On 17 February 2021, I saw this film again. The conclusion is a rip-off "Back to the Future" and does not make much sense that Sarah comes back to the present days to clear her name and return to the past to stay with Mark. The movie pays a tribute to several horror movies and entertains but it is silly and does not work well in many parts. Zach Galligan is also different from the original clumsy and rich Mark. "Waxwork II: Lost in Time" is the sequel of "Waxwork" without Deborah Foreman that turned the offer down and was replaced by Monika Schnarre in the role of Sarah. They travel to the most different places in time seeking something to help Sarah in her trial in a dangerous journey. They solve the puzzle and find a compass that opens portals through time. They find a footage prepared by Sir Wilfred with a puzzle based of the Alice and the Looking Glass. ![]() Mark and Sarah search evidence to prove her innocence and they go to Sir Wilfred's house. Sarah becomes the prime suspect and goes to trial. This direct digital-to-bronze workflow can be a big advantage for complex designs, and for projects that require only a few castings, or an accelerated schedule.Mark (Zach Galligan) and Sarah (Monika Schnarre) survive to the fire in the wax museum, but Sarah is followed by a severed hand that kills her alcoholic stepfather. The foundry then takes our 3D prints directly into ceramic investment in an otherwise conventional lost-wax casting process. The completed digital model is 3D printed in a clean-burning, wax-like 3D print media. We design a perfectly uniform-or variable-wall thickness directly into the digital design, setting the foundry up for a clean burnout and perfect pour. We are able to design internal features such as vents, interior sprues, flanges, and internally interlocking details that would be impossible with conventional wax casting. (See this full-figure bronze example of a segmented design.) Sprues can be integrated into the digital design, arranged, curved, and oriented according to the foundry’s preferences. We put interlocking joints in ideal locations, and cut window openings where needed. Whether it has been 3D scanned or designed entirely onscreen, after the underlying digital model is complete, we digitally cut it into castable-sized pieces. We can also 3D scan our customers’ maquettes, and digitally enlarge, edit, and refine them as needed. We either produce a digital model from scratch, based on our customers’ design drawings, sketches, reference photos, and style direction-even a conversation is enough to get the ball rolling on the design. Projects typically start one of two ways. The rough concept, final design work, and the entire mold-making and waxworks stages are done digitally. Our digital-to-bronze workflow allows sculptors to skip the expensive production of physical maquettes and enlargements, and allows foundries to skip the costly and time-consuming mold-making and wax-casting processes. ![]() 3D printed waxes ready for ceramic investment for lost wax casting.Ĭoncept Realizations designs and supplies foundries and sculptors with 3D printed waxes complete with vents, window cuts, integral sprues, gating, and funnels, ready for ceramic investment.
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